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Hollywood saw Conway as a tough guy when he first went west. He enrolled in acting classes and began landing stage roles, first in Off-Broadway productions (he starred as McMurphy in One Flew Over the Cuckoo's Nest) and later on Broadway proper - Conway played Doctor Treves in Bernard Pomerance's The Elephant Man, a role he reprised for a televised performance of the play. When he left the military he secured a mail room job at IBM and was actively working his way up the company ladder when he decided he wanted a change of direction.
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"And I would gladly give back every cent, if I could have played that role."Ĭonway joined the Navy after graduating from Brooklyn's Bishop Loughlin High School in 1959. "I made more money from that film than any I acted in," he revealed.
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By the time it happened, Douglas was too old to reprise the role of McMurphy, which went to Jack Nicholson. After starring in a stage adaptation of One Flew Over the Cuckoo's Nest, he tried for year to get a film version made. "I think one of the most important things in my career was the breaking of the blacklist," Douglas later said in his autobiography (via Variety), in which he also talked about regret. Douglas famously spoke out in favor of blacklisted screenwriter Dalton Trumbo, insisting that he was properly credited for his work on Spartacus. 1949's Champion made him a star (he earned his first of three Oscar nominations for the noir boxing drama), but his most famous picture is Stanley Kubrick's Spartacus (1960). His career was interrupted by WWII, but he returned to the stage after being honorably discharged from the Navy in 1944, and before long Hollywood beckoned. "It was so committed and sensitive a performance," Kubasik tweeted. "I could feel an unexpected energy spread across the crew as everyone got the show. In that moment I was so grateful to Norma."īorn in New York as Issur Danielovitch, Douglas made his Broadway debut in 1941. Tyler, who is building a bomb in an effort to save her husband.
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Paying tribute to Michaels, screenwriter Christopher Kubasik recalled being blown away by her ability when he worked with her on the fantasy drama series The Booth at the End. She portrayed an elderly woman named Mrs. She was in a handful of feature-length comedies, too, including Wedding Crashers, You Don't Mess with the Zohan, and Easy A. She wasn't a one-trick pony, however. Michaels worked on seven episodes of King of Queens, one of the many comedies she popped up in over the course of a career that began back in the mid-50s when she played a patron on the half-hour variety series The George Gobel Show. In later years she appeared on Malcolm in the Middle, Ally McBeal, Gilmore Girls, Everybody Loves Raymond, Modern Family, and Brooklyn Nine-Nine to name just a few. Black Mirror creator Charlie Brooker and Simon Pegg (who starred in Jones' final feature film, 2015's Absolutely Anything) were among the many mourners. "He was far more than one of the funniest writer-performers of his generation, he was the complete Renaissance comedian - writer, director, presenter, historian, brilliant children's author, and the warmest, most wonderful company you could wish to have," Michael Palin said. The remaining members of the influential troupe paid tribute to Jones following his passing.
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Jones went on to helm 1979's Monty Python's Life of Brian, in which he played the titular character's cantankerous mother and delivered the film's most iconic line, and 1983's Monty Python's The Meaning of Life, the last movie to feature all six pythons.
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1975's Monty Python and the Holy Grail, which he co-directed with Terry Gilliam, is regularly ranked among the funniest films ever made.
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Jones was instrumental in developing the unique stream-of-consciousness style that made Monty Python's Flying Circus (1969-1974) such a game-changing TV show, and he would go on to spearhead three of the group's original feature films.